Event type: Concerts

Events

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  string(19) "2026-04-17 15:27:38"
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  string(19) "2026-04-17 15:27:38"
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  string(1568) "Ashlee White is a creative from Woodbridge, VA. Her journey began with performing poetry in local churches, this quickly transitioned to Christian based freestyles on social media and finally trickled down to her debut album Chameleon in 2021; an album centered around a radio station where callers tell of their love experiences. Ashlee addresses her own dealings with lust, idolization, intimacy and infatuation.

She has since then been featured in Nowre Magazine, Highsnobiety Magazine, the cover of Leche Magazine, Tedx (Washington, DC), and more. She is the Co-owner of the N’TUNE Collective; designed to develop and manage artists.

Back to her roots, she is finding her footing in Christian RNB, alongside the newest group in Virginia, FRDM, her mission is to keep on telling the truth and her hope is that her vulnerability and imperfect testimony will be refreshing and encourage anyone willing to listen.

***

Thomas Austin, Starkville, MS native, is an artist redefining what success looks like by proving you don’t have to glorify violence, degrade women, or dilute your faith to succeed in music. Thomas Austin is committed to popularizing a lane that’s often overlooked which is clean, inspirational hip-hop that feels authentic, not surface-level. Coming from a state often overlooked in mainstream hip-hop conversations, Thomas is determined to prove that true talent lives in Mississippi and that the South definitely has something meaningful to say.

In the words of Thomas Austin: “This ain’t music for ears, it’s a feel. “"
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  string(46) "FOREVERN'TUNE FT. ASHLEE WHITE & THOMAS AUSTIN"
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        Ticket: paid        
Sat
20
Jun
        object(WP_Post)#4872 (24) {
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  ["post_date"]=>
  string(19) "2026-04-17 13:01:01"
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  string(5332) "
Hey, you.
Sponges of Experience was written over the 4-day weekend of Memorial Day, 2025. It was a challenge to myself: when I was a wee teenager, I heard Elvis Costello mention on some talk show (I’ve long forgotten which) that he could write an album over a weekend. It was an offhand remark, a throwaway line as he was promoting something or other. As I had already become a prolific writer myself, I was curious if I could pull off something of the sort.
Fast forward to 35-odd years later, I decided to give it a shot. I offered myself FOUR days rather than just the two, and perhaps that’s a cheat, but since it was Memorial Day weekend I decided to allow it. As it turned out, I absolutely needed those extra two days.
The other rules were simple: I just needed to write a complete composition and completed lyrics for enough songs to fill an album. At least… eight songs, though I would’ve been disappointed with just eight. I kept pushing myself to write as much as possible, as I wanted to have enough songs to be able to weed out one or two of the crappier contributions. All of the additional arrangements you hear were written and recorded after the fact, casually over the remaining year, no rush nor rules on those parameters.
I have a nice little community online, a Patreon group called, “Tim Kasher’s home phone”, that I shared the weekend challenge with. They were incredibly supportive, helping keep me to task as I didn’t want to let them (nor I) down. As soon as I finished a song I went live online to perform it. ‘Receipts’, you might say.
I started strong: four songs the first day and four songs the second day. Excellent, after two days I had already hit that minimum quota of eight songs! But as mentioned, I wanted more; more songs to be able to pick and choose from.
The third day was rough. Unsurprisingly, I hit a wall and had to take the bulk of the day off as I simply could not muster any inspiration. I managed to eke out one more song that day. But the fourth and final day bore more fruit, including The Collapse and Don’t Hang Up, a couple of favorites. What a ride.
Spurred on by many of the kind folk in the Patreon group, I decided not to cut any songs from the album and let it be released as a complete artifact of the weekend. I can’t claim to love all these songs, but I do love some of them, and certainly, all of them are endearing to me.
This funny little trifle of a weekend project wound up meaning a lot to me. I love music and songwriting in a way I don’t think I’ll ever quite be able to explain, though I’m sure I’ll continue to try, and will continue to express this adoration for the rest of my days. I feel so incredibly thankful for being a songwriter, and I encourage all of you to become songwriters as well. They don’t gotta be good songs, it’s enough that they’re simply yours. With sincerity, Tim.
" ["post_title"]=> string(10) "TIM KASHER" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(10) "tim-kasher" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2026-04-17 13:01:02" ["post_modified_gmt"]=> string(19) "2026-04-17 13:01:02" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(59) "https://songbyrddc.com/?post_type=event_listing&p=8348" ["menu_order"]=> int(0) ["post_type"]=> string(13) "event_listing" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } Ticket: paid
Mon
08
Jun
        object(WP_Post)#4902 (24) {
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  string(19) "2026-04-15 17:10:10"
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  string(3658) "
Chay Vicious is a rock band from Washington DC born out of heavy riffs and screaming guitar solos. The band’s constant drive to evolve shapes their ever-changing sound while staying true to their roots of authentic rock. Their live shows are loud, raw, and high energy. Be Chay. Live Vicious.
***
Bitter Luck is a rock n’ roll band bringing a unique sound to the Washington, D.C. area and beyond, modernizing the classic rock vibes of Aerosmith, Humble Pie, and Guns N’ Roses with a progressive flair inspired by Rush and Winery Dogs.
Their debut EP, “Show Your Hand”, produced by Ben Green at Ivakota Recording in Washington D.C., released October 31st, 2025 and the band's focus is now on hitting the road and bringing their music to a city near you.
The band is fronted by Ean Eschenburg's powerful, wide-ranging vocals and the virtuosic versatility of guitarist Andrei Wells. Rounding out the rhythm section is the biting bass playing of Will Gies and drummer Eric Levy's hard-hitting grooves.
***
Velvet Divide is a rising Alt-Rock force out of Washington DC, blending raw emotion with razor-sharp hooks and blazing guitar riffs. Following the release of their debut single “Unspoken,” which led to the title of Best Rock Song at the Washington DC Wammie Music Awards, the band is quickly carving out a name as one of the most exciting new acts in the region.
Thriving on controlled chaos, and high-energy performances, their music captures the tension between vulnerability and defiance—delivering heartfelt aggression through thorn laced anthems. The result is a sound that hits hard, lingers long, and mirrors the adrenaline of their live shows.
" ["post_title"]=> string(12) "CHAY VICIOUS" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(14) "chay-vicious-2" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2026-04-15 17:10:10" ["post_modified_gmt"]=> string(19) "2026-04-15 17:10:10" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(59) "https://songbyrddc.com/?post_type=event_listing&p=8344" ["menu_order"]=> int(0) ["post_type"]=> string(13) "event_listing" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } Ticket: paid
Fri
22
May
        object(WP_Post)#4905 (24) {
  ["ID"]=>
  int(8337)
  ["post_author"]=>
  string(1) "4"
  ["post_date"]=>
  string(19) "2026-04-15 15:24:26"
  ["post_date_gmt"]=>
  string(19) "2026-04-15 15:24:26"
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  string(4367) "Aaron Lee Tasjan was experiencing the worst bout of imposter syndrome of his career when he sat down and wrote Todd Snider a vulnerable email asking for advice. Tasjan, despite writing and recording some of the most astute Americana rock songs of the last decade and being nominated for a Grammy, just didn’t see a future for an independent singer, songwriter, and guitarist like himself.

Snider read Tasjan’s email and immediately replied: “I think I have some ideas. I’ll write you back tomorrow.”

The next morning, Tasjan awoke to a signature Todd Snider missive for how to move forward as an artist. It was a novel-length email that read like the battle plans for the Invasion of Normandy. Do this, Snider wrote. Then this. But never that. The specifics don’t matter — besides, that’d be giving away the secret — but Tasjan devoured his mentor’s words and took them to heart.

He began writing feverishly, unbothered by expectations and immune to any pressure to match his acclaimed albums like In the Blazes, Karma for Cheap, or his most recent, 2024’s Stellar Evolution. When he was through, Tasjan had Get Over It, Underdog, his most inspiring LP to date. Produced by Tasjan and his longtime sound engineer Mark Miller, the album is a celebration of the power of songwriting, the unbreakable bond of friendship, and the determination of the dark horse.

“I went to the ultimate oasis for a singer, songwriter, and troubadour: Todd Snider. And he said, in very Todd fashion, ‘You can find your path forward by going backwards,’” Tasjan says with a laugh. “But he was right. I set aside my ego, played shows solo without my band, and wrote a lot of songs. In that process, I found my confidence again.”

Tragically, however, he lost his mentor. Snider died shortly after Get Over It, Underdog, was finished, leaving a void in the folk-rock scene that will prove nearly impossible to fill. But Tasjan is committed to carrying on Snider’s unbridled spirit and lifting up underdogs everywhere.

Over 11 tracks, Tasjan’s new album kills sacred cows and pokes holes in the dam, while leaning hard into the idea of perseverance. In the talking-blues of “Science Friction,” he tells an abridged origin story of civilization that culminates with humankind editing itself out of its own picture. “Man made machines/putting man out of business,” he sings with a knowing wink. “Lost & Alone,” meanwhile, finds him feeling like a “stranger in this town.” It’s a compact blast of indie-rock with a sing-along chorus that underscores Tasjan’s gift for writing infectious hooks.

***

Madeleine Kelson is a Nashville based Americana artist. She pulls from a rich tradition of Folk, Country, and Americana, challenging its boundaries as a queer artist to represent the modern world. Madeleine spent her high school years in Chicago band, The Kelson Twins, playing venues including House of Blues and Thalia Hall, and landing a top Daytrotter Session with Paste Magazine. She later moved to Music City to pursue a solo career. Inspired by artists like Patty Griffin, Jason Isbell, andBrandi Carlile, her dynamic and down-to-earth storytelling and rich vocals are part of why NPR named her one 10 Nashville artists on the rise.

Once in Nashville, Madeleine won the 2017 International Bluegrass MusicAssociation’s (IBMA) Songwriter Showcase, and in 2018 released her acclaimed solo debut Siren, an introspective five-song EP with clean, melodic vocals backed by elegant countermelodies on violin. Praised by press for its genre-defying, sparse style and emotional richness, Siren earned Kelson comparisons to both Amos Lee and Gillian Welch.

In 2022, Madeleine released her debut, self-produced album, While I Was Away, on Olivia Records. Since its release she has gained praise from No Depression, been featured multiple times in NPR, and was a finalist in the prestigious Kerrville New Folk songwriting competition. Her queer country anthem, The Way I Do, became a viral TikTok hit with over 1.7 million views. Madeleine has been featured on Spotify editorial playlists including Queer as Folk, Emerging Americana, and Fresh Finds Folk. Her new EP, Where the Spirit Meets the Muscle, was released in February 2024.

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Tue
10
Nov
        object(WP_Post)#5123 (24) {
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  string(569) "UNDERGROUND LORD$

A night of raw bars, heavy energy, and real underground hip-hop.

With DC’s own Paco Panama and Ankhlejohn leading the bill, Underground Lord$ brings together some of the heaviest voices in the DMV rap scene for a night rooted in real culture. Joined by Nast B, Davon & 6KYae (Goodfellas), and LBE Hunt, the lineup promises gritty lyricism, raw presence, and nonstop energy all night long.

No gimmicks. No watered-down sound. Just real music, real artists, and a real crowd. Underground Lord$ is where the underground takes center stage."
  ["post_title"]=>
  string(45) "GOODFELLA RECORDS PRESENTS: UNDERGROUND LORD$"
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        Ticket: paid        
Thu
04
Jun